By William E. Wallace
One:
She walked into my office
and took a seat on the sofa against the far wall, not the chair at the
left-hand corner of my desk where my clients usually sit. She didn’t stop to
shake hands or look at the framed certificate from the California Department of
Consumer Affairs hanging over my desk that identified me as Phil Taggert, a
state-licensed investigator.
She just plunked herself
down like she owned the place. Judging from the Tiffany’s hardware glittering
at her wrists, fingers and around her throat, maybe she was there to make me an
offer on it.
Connie had buzzed me
from the outer office a minute earlier to tell me I had an unscheduled visitor
named Sylvia Brantley. My desk calendar said I was clear until the horses made
their four o'clock run at Golden Gate Fields so I told Connie to send her in.
I was glad that I had.
She was a tall, curvy
redhead, and she looked like she might have had a little work done around her
eyes. Probably just enough to buy her cosmetic surgeon a swimming pool or
enroll his kid in premed at Stanford. Even if he was a straight D student.
She looked good sitting
there with her legs crossed, the one that had the little anklet on it hiking
the hem of her dress halfway up her thigh. It was a good looking thigh; She
didn’t limp so I assumed the other one was a match.
If she preferred the
sofa to the interview chair, it was okay with me. Hell, if she asked me, I'd
put the damned thing on my back and carry it back to her place for her. Maybe
she would let me sit on it with her.
I sat back and crossed
my own legs, just so hers wouldn’t feel lonely.
"What can I
do for you . . . is it Miss or Missus Brantley?"
“Missus,” she said,
off-handedly, lighting a cigarette she took out of a little silver case and
giving me the smile of a born flirt. "Unless you want me to litter your
floor with my ashes, Mr. Taggert, you can get me something to put them
in."
Swallowing my
disappointment at her marital status, I took the amber cut-glass motel
ashtray from the top drawer of my desk, put it in front of her and sat back
down.
"Now," I said,
grinning to show I was a good sport who didn’t mind being ordered around by a
married woman who made my heart beat dangerously fast. "Can I do something
for you in more of a professional capacity?"
She smiled. "I’m
here on behalf of my husband, Elmer. He’s a novelist and screenwriter, Mr.
Taggert. He claims another man is stealing his ideas."
The name Elmer Brantley
clicked in my brain, alongside the image of a fellow I had seen on a TV talk
show late one night with long hair, dark-rimmed glasses and a mustache. He was
one of those fiction machines, a specialist in horror stories who cranked out
six novels a year, most of which got made into popcorn movies and TV
mini-series.
His yarns tended to turn
on dripping fangs, gloomy cellars with damp walls and creeps that popped out of
hidden passages at unexpected moments. Not really my taste, to be honest. His
stuff might not have had much literary merit, but it generated cash like a New
Jersey boiler room selling Hawaii time-shares in the dead of winter.
“Who does he think is
doing it?” I asked.
“Another writer named
Lance Jackson,” she replied. “Elmer met him at a conference in New York a
little more than a year ago. Jackson is a tyro and most of what he has written
so far has been little more than Fanfic.”
“Fanfic?” I let my tone
underscore the question. I had no idea what the word meant.
“Fan Fiction,” she
explained. “Readers write stuff inspired by TV shows they like, carrying the
story line in a different direction, or exploring some aspect of the characters
or plot in greater detail. Lance had been doing stories based on a zombie
series that Elmer scripted for some cable network a couple of years ago. Most
Fanfic writers do it for fun, but some have hopes of getting their stuff
published.”
“Do they ever succeed?”
She gave me a smile that
showed little amusement. “Rarely. Most of these people can barely string a noun
and a predicate together to form a coherent sentence.”
It occurred to me she
had a lot of attitude about the quality of other people’s writing for someone
married to a millionaire who made his living selling books by the pound.
“Some of them put their
stuff out on the Internet,” she said. “Others actually grind out little pulp
magazines full of their stories. A lot of what they do is dreadful, although
the ideas they have are sometimes interesting. Jackson is one of them. Most of
what he’s written appears on his own website. At least it did until about four
months ago.”
“What changed?”
She spread her hands,
clearly not sure how to describe it.
“He started appearing in
some of the unpaid eMagazines, building a reputation,” she said. “Almost
overnight, he had developed a style. His characters were fully developed. The
action flowed. The dialog sounded natural, believable.”
I guessed at the rest.
“And this style he had developed, it was your husband’s?”
She smiled again, even
more coldly than the first time. “Precisely,” she said. “Anybody could see it.
A couple of the ePubs even mentioned that his stuff was very much in ‘the Elmer
Brantley vein.’ Of course, what they didn’t mention was that the stories
were also derivative of my husband’s earlier stuff, and that the characters
were clearly based on his, even though their names were different and the
situations they appeared in had been somewhat altered.”
“So what, exactly, do
you expect me to do for your husband?” I asked.
“Your advertisement in
the phone book says you can recover stolen property."
"Sometimes,
provided it hasn't been fenced already."
"Well, I want you
to recover the property Jackson’s stolen from Elmer.”
I leaned back in my desk
chair until the springs creaked. “I’m not sure how much help a private
detective can offer in a plagiarism case,” I said. “Wouldn’t your husband be
better off talking to a lawyer who specializes in copyright infringement and
intellectual property issues?”
“He has. He consulted
with his own attorney, Frederick Kastner. Kastner was too polite to say it in
so many words, but he essentially let my husband know that he thought he was
crazy.”
I shrugged. “Get another
opinion, then.”
She sighed. “Kastner is
an old acquaintance, Mr. Taggert. He has been Elmer’s legal adviser since he
sold his first book, twenty-three years ago. Elmer trusts him implicitly and
wouldn’t think of dealing with anybody else.”
“I don’t understand,
then,” I said. “If your husband’s own lawyer is satisfied that legal steps are
useless and he won’t check with another lawyer, why are you here talking to
me?”
“I’m hoping that a
trained investigator can figure out how Jackson is doing it. If Elmer can show
Jackson is stealing his stuff, maybe Kastner will reconsider.”
I thought about it.
“I’ll need to talk to your husband,” I said. “And I will need to see examples
of the stuff he thinks this Jackson guy stole. Do you know why Kastner blew
your husband off in the first place?”
“I haven’t spoken with
Fred, but from what Elmer tells me, he just didn’t believe it was possible for
Jackson to do what Elmer thinks he has.”
“That’s too vague for me
to go on,” I said. “I’ll need to see Kastner myself, find out why he wouldn’t
do anything, and then at least I will have an idea how to proceed. Sooner or
later I will have to talk to Jackson; if I can find proof he’s cribbing
material from your husband, I may be able to persuade him to stop doing it just
by confronting him.”
I switched over to the
business side of the discussion.
“My rates are $60 an
hour plus expenses but I try to keep those to a minimum. I account in
writing for every hour I spend on a case. I’ll let you know before I
expense anything out of the ordinary, okay?”
She nodded.
“I’ll need a week’s
salary plus $1,000 against expenses in advance,” I continued. “That comes to
$3,400. I’ll have my assistant, Connie, prepare a standard employment
agreement before you go. You can write a check for the advance then. When can I
begin?”
“As quickly as
possible,” she said, looking at her Blackberry. “Why don’t you come up to our
place north of Harbor City day after tomorrow?”
She stood up and got
ready to leave. “You can talk to Elmer in the morning and I will have time by
then to arrange for you to meet Fred Kastner in the afternoon,” she said.
This time, she extended her hand. It felt warm and soft in mine. I had to remind
myself to let go.
“That sounds
fine,” I said. “I’ll hold onto the check until then and have Connie deposit it
the morning I drive up. One thing you can tell me right now, though, if
you don’t mind?”
“What’s that?”
“If your husband knew
that Lance Jackson was copying his style four months ago, why did you wait
until now to pursue it?”
She hesitated before
replying. “At first, Elmer was flattered,” she said. “Lance wasn’t profiting
from his copy-cat work, so Elmer didn’t feel threatened by it. Then Lance
managed to get a story published in a well-known science fiction magazine last
month and Elmer saw a copy of it in bookstore he frequents. It was a
word-for-word copy of a piece Elmer had been working on for several months.
That meant Lance had started actually being paid for the stuff he was copying.
At that point, it was largely a business decision -- to try and stop him before
he profited further from Elmer’s work.”
“That’s it?” I asked,
sensing there was more than she had told me.
She bit her lower lip.
“Well, there is one other thing,” she said haltingly, as if she were
embarrassed to go into it.
“What?”
“The story in the
magazine was completely done,” she said. “Elmer’s was only half written. Lance
didn’t just copy the story; he finished it, too.”
# # # #
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